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Le Puits intérieur; Les eaux vives du féminin - Tazo

Instructors Friend Tazo

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Updated 03 Nov 2026

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Language English ‎(en)‎

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Titre : Le Puits intérieur
Sous-titre : Les eaux vives du féminin
Série : Fréquences de l’âme, livre 2
Auteur : Tazo

Description :

Avant les mots, il y avait le fredonnement.

Bien avant le langage, une mère fredonnait pour apaiser son enfant. Les femmes ont toujours su ce que ce son éveille dans l’âme — et dans l’eau qui la porte.

Le Puits intérieur est un guide de pratique pour la vie, né de l’enseignement des Fréquences de l’âme. Chapitre après chapitre, il vous conduit vers la source qui coule sous la surface de chaque être : le corps d’éther comme eau vive, la voix qui appelle la fréquence, la chambre de résonance du corps, le vent qui porte sa voix.

Au cœur du livre, cinq méditations de l’eau : L’eau et l’âme, L’huile et l’âme au seuil, Les sels respirent, La vapeur, et La montagne de glace et d’eau. Elles sont accompagnées de pratiques quotidiennes simples, comme le fredonnement du matin, le bain du miroir ou la réception de la nuit.

Le fredonnement est aussi un fait que l’on peut mesurer : la recherche a documenté son effet sur le monoxyde d’azote dans le corps. Ce que vous en faites dans votre propre expérience vous appartient.

Pour les lecteurs de L’ego sur une corde, et pour quiconque a déjà senti, au bord d’un puits, que quelque chose sous l’eau écoutait.

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Le Puits intérieur; Les eaux vives du féminin - Tazo

Titre : Le Puits intérieur
Sous-titre : Les eaux vives du féminin
Série : Fréquences de l’âme, livre 2
Auteur : Tazo

Description :

Avant les mots, il y avait le fredonnement.

Bien avant le langage, une mère fredonnait pour apaiser son enfant. Les femmes ont toujours su ce que ce son éveille dans l’âme — et dans l’eau qui la porte.

Pour les lecteurs de L’ego sur une corde, et pour quiconque a déjà senti, au bord d’un puits, que quelque chose sous l’eau écoutait.

Teacher: Friend Tazo

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Cost: USD 20.00

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Der innere Brunnen; Die lebendigen Wasser des Weiblichen - Tazo

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Beschreibung: Vor den Worten war das Summen. Lange bevor es Sprache gab, summte eine Mutter, um ihr Kind zu beruhigen. Frauen haben immer gewusst, was dieser Klang in der Seele weckt – und in dem Wasser, das sie trägt. Der innere Brunnen ist ein Übungsbuch für das Leben, hervorgegangen aus der Lehre der Seelenfrequenzen. Kapitel für Kapitel führt es dich zu der Quelle, die unter der Oberfläche jedes Wesens fließt: der Ätherleib als lebendiges Wasser, die Stimme, die die Frequenz ruft, die Resonanzkammer des Körpers, der Wind, der ihre Stimme trägt. Im Herzen des Buches stehen fünf Meditationen des Wassers: Wasser und Seele, Das Öl und die Seele an der Schwelle, Die Salze atmen, Der Dampf und Der Berg aus Eis und Wasser. Dazu kommen einfache tägliche Übungen, etwa das Morgensummen, das Spiegelbad oder das nächtliche Empfangen. Das Summen ist auch etwas, das sich messen lässt: Die Forschung hat seine Wirkung auf das Stickstoffmonoxid im Körper dokumentiert. Was du in deiner eigenen Erfahrung daraus machst, gehört dir. Für die Leser von Das Ego an der Saite – und für jeden, der je an einem Brunnen gespürt hat, dass unter dem Wasser etwas lauscht.

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163 The Iron Sings

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Every atom of iron in your blood was made in a star that could not burn it. Why does the fire end at iron? Why is blood bright while it lives and dark when it is spent? What did the old stories know about the smith, the bow in the cloud, and the brother whose blood cried out of the ground? And is it possible that the science of our own time has been answering them all along? The Iron Sings follows a single metal through its whole biography. It is made on the last day of a dying star, thrown through the dark, and sunk into the young earth. It is rusted, struck by lightning, dug up, burned, beaten and quenched, and at this moment it is carried round your body about once a minute. At every station the physics is checked and the old images are allowed to speak, until the two begin to sound like one voice. Inside you will find: why a star dies at iron, and why the metal sits at the very bottom of the well the experiment with iron filings that every textbook photograph gets wrong, and what one light tap reveals the smith's three heats, and why hardness is "carbon that could not get out in time" Cain's fire that never fell, and the lightning that has fed his fields for four billion years the many colours of a single blood, read with nothing but the eye two flutes in a quiet room, and why being perfectly in tune is silent the conductor who touches nothing, and the hand that has no muscles in its fingers Written in what the author calls science poetry, this is a book that asks more than it asserts. It offers no cures, promises or secrets. It offers a way of seeing in which a star, a forge and a pulse turn out to be one story, and the reader finds that he has been standing inside it all along. For readers of esoteric Christianity and the Rosicrucian tradition, for students of Goethe's way of seeing nature, for musicians and makers, and for anyone who has ever wondered what their own blood is made of. The iron does not sing until it is sounded.

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152 The Ego on a String — Tazo

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152 The Ego on a String and the Player Behind it All Every teaching in the world says kill the ego.This one hands it the lyre. But life is full of strings. Which one do you play? Soul Frequencies · Book One of Three Have you heard of Ego Yoga?Some strings move you — the expectations, the inherited self, the ego dangled like a puppet above a stage you never chose. One string, though, you can pick up yourself. The ego is not the enemy. It is the player — the one part of you that can lift an instrument and sound a single honest note into the world: I am here. The soul is the lyre. The hand is the mechanism. And behind all of it stands the one who chooses which way. The Ego on a String is not another book about silencing yourself. It is an invitation to find the hand that moves you — and then the one who watches the hand. This is self-inquiry in the oldest sense: who am I, asked not as a belief to adopt but as a skill you can practice and check. It promises a skill, not a secret — the musician who hears the score before a note is sounded, the listener at the waterfall who stops hearing noise and begins to hear the water strike each separate stone. You have spent your life sounding to something out there; here, at last, you learn to listen for the answer. Written by a flutist who spent lives beside a desert river, it moves easily between the language of quantum fields and strings, the contemplative Christian path of personal growth, and the old knowledge of the living world — toward one aim: awakening the real self beyond the veil. It gives you a place to stand while anger and anxiety move through, and a way past what's expected of you, into what is actually yours. You will not be handed a secret. You will be handed an instrument, and taught to play. The throat asks. The foot waits. Come and stand.

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152 Das Ego an der Saite

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Das Ego an der Saite auf Tazo (Hörbuch) Etwas bewegt dich. Nicht deine Gedanken – das, was unter ihnen liegt. Du triffst eine Entscheidung und fragst dich, wer da entschieden hat. Du ertappst dich bei einer Reaktion und denkst: Das war nicht wirklich ich. Das Ego hört auf deinen Namen, trägt dein Gesicht und führt Regie – und doch spürst du es: einen goldenen Faden, an dem es hängt, und eine Hand, die ihn hält. Das Ego an der Saite handelt von dieser Hand. Vom Spieler hinter allem. Goethe kannte diesen Faden. Am Ende seines Faust steht kein Urteil, sondern ein Zug nach oben: „Das Ewig-Weibliche / Zieht uns hinan.” Derselbe Faden, der das Ego hält, ist der, an dem die Seele hinaufsteigt. Und auch im Inneren dieses Buches spricht der Faust – vom ätherischen Gewande, aus dem die erste Jugendkraft hervortritt. Dies ist das erste Buch der Seelenfrequenzen – eine lebendige Landkarte der eigenen Substanzen der Seele: Licht, Klang, Wärme, der Regenbogen, der die Wirbelsäule hinabsteigt, der Wind, der im Blut weht. Es schöpft aus dem alten Vedanta und aus den rosenkreuzerischen und esoterisch-christlichen Strömungen und verbindet in all ihnen Wissenschaft mit Übung. So holt es ein Wissen zurück, das älter und stiller ist als das, was den meisten von uns überliefert wurde: dass sich das Selbst hinter dem Selbst fühlen lässt. Stimmen. Zum Klingen bringen. Erkennen. Eine Saite, die du stimmen kannst. Pythagoras hat sich nicht geirrt – man hat ihn nur missverstanden. Du lernst die Übungen, nicht nur die Theorie: den Dreiecksatem, das Summen am Brustbein, das Hinabsteigen der sieben Seelenfarben. Sie bringen das Ego zur Ruhe und lassen den Spieler hervortreten. Gerade im Hören entfalten sie sich: Was dieses Buch über Klang lehrt, erreicht dich hier als Klang. Kein Hörbuch, dem man nur zuhört. Eine Schwelle, die man überschreitet – Stimme für Stimme, Summen für Summen. Wärme am Brustbein, noch immer klingend. Gesprochen mit einer KI-generierten Stimme.

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160 Loving Egos: A Tuning Method — Tazo

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159 MUSIC ROOM NOW PLAYING - Flute Duet Kuhlau Opus 10

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159 Enjoy Spiritual Music in Tazo's Music Channel Listening Room Channel Playlist - Now Playing: Flute Concerto Duet of Kuhlau Opus 10 Six Movements Music composed and performed by the author and teacher Tazo is special. Think of how music springs from the soul as if from a fountain, and there you have the imagination of what makes Tazo's music special. It all in the Frequencies and here is where you can experience music from a Spiritual Music Teacher. You are welcome to enroll for free that way you can get announcements and news. I run specials on day passes, reviews for new releases, and a place for people to meet while the music plays. You can buy a playlist to experience the music ion the day or subscribe to it for daily access.

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156 The Inner Well — Tazo

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156 The Inner Well — Tazo You are made of water. Not the kind from the tap. Before there were words, there was the hum. The first sound a mother makes to a child who is crying and cannot be comforted is not a word. It is a tone — low, sustained, produced deep in the chest, offered without explanation. The child settles. The body knows before the mind can follow. This is the oldest medicine in the world and it has no inventor. The priestesses of Isis hummed through the rites of Osiris, the rites of gathering what had been scattered. Celtic women kept the springs of Brigid and Sulis, and sang at the wells in tones that matched the water moving through stone. India kept it as Bhramari, the humming bee breath. The Sufis kept it as dhikr. Each was pointing at the same thing from a different side. In 2002 the laboratory arrived. Humming was shown to raise nitric oxide in the sinuses fifteen to twenty fold over quiet breathing — the gas that widens the vessels, carries the oxygen, and settles the inflammation. The lowest tones produce the most, and the lowest tones are the ones a woman's chest makes at rest. What the biochemistry calls a gas, the older traditions called water. The hum opens the channel. The channel fills. The filling is felt as moisture, in a place that had been dry a long time. This is a practice book. It is not read once and set aside — it is returned to in the morning before the day begins, and in the evening when the day ends. Eighteen chapters, each carrying a practice for the body. She wears seven colors. Above and below. The mirror and the spring. The voice that calls the frequency. The chamber of resonance. The clear stream and the muddy. The aether body as living water. The wind that carries her voice. The humming practice. The octave of creation. The well at the center of the world. Then five meditations, and a threshold.

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Le Puits intérieur; Les eaux vives du féminin - Tazo

Le Puits intérieur; Les eaux vives du féminin - Tazo

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Le Puits intérieur; Les eaux vives du féminin - Tazo

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